" And, committing Thames to the care of the watchman, he darted after the fugitive. He had studied alchemy and astronomy, was a capable painter, and even wrote music. Do you know that this becomes a habit?” “If you would only teach us all,” he murmured, “how to acquire it. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. “If any one should know——you should! He was your friend. " It was only a shade better than the Stone Hold. "Fire! That was what drew me to you in the beginning. Be so good as to let me pass, sir,” she added, looking her obstructor steadily in the face. " "Depend upon it, Sir. "And who is this Van Gal—Gal—what's his outlandish name?" "Van Galgebrok," replied the widow. “No! I want to do without that. “We are clerks in the same bank.
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