The spy—if there was one hiding out in the late Jarvis Remenham’s empty house—would be taken unawares. But with the skill of a fencer he met the blow and broke it, seizing the wrist. He was in front of one of the more imposing of the cafés chantants—opposite, illuminated with a whole row of lights, was the wonderful poster which had helped to make ‘Alcide’ famous. ‘I have an excellent excuse to remain comfortably ensconced in my parlour here, able to indulge in my favourite pastime. I’d rather starve!” For a moment the conversation hung upon that declaration. But this was long ago.
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