The metrical irregularity is intentional, because I want, as it were, to put you apart: to change the lilt and the mood altogether when I speak of you. “I don’t know much about the technique of music,” he said at last, with his eyes upon her. She was aware of him—a silk-hatted, shiny-black figure on the opposite side of the Avenue; and then, abruptly and startlingly, he crossed the road and saluted and spoke to her. “My arrival appears to be opportune,” he said stiffly.
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