He, next, tried to clamber up the flying buttresses and soffits of the pier, in the hope of reaching some of the windows and other apertures with which, as a man-of-war is studded with port-holes, the sides of the bridge were pierced. Stanley was inclined to think the censorship should be extended to the supply of what he styled latter-day fiction; good wholesome stories were being ousted, he said, by “vicious, corrupting stuff” that “left a bad taste in the mouth. An astonished Jack Kimble was revealed in the aperture. Milky sunlight spilled on the floor. My nerves are shaken.
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