Wood had the advantage of her husband in point of years, being on the sunny side of forty,—a period pronounced by competent judges to be the most fascinating, and, at the same time, most critical epoch of woman's existence,—whereas, he was on the shady side of fifty,—a term of life not generally conceived to have any special recommendation in female eyes. Here he was hotly pursued. They were Jonathan Wild and Quilt Arnold. Flowers, theatre boxes, carriages, the “open sesame” to the whole world of pleasure. The sing-song girl, her fiddle broken, was beating her forehead upon the floor and wailing: Ai, ai! Ai, ai! Spurlock—or Taber, as he called himself—sat slumped in a chair, staring with glazed eyes at nothing, absolutely uninterested in the confusion for which he was primarily accountable. Getting pregnant in high school ended that dream for her.
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