Opposite the gallows was an open gallery, or scaffolding, like the stand at a racecourse, which, on state occasions, was crowded with spectators. But not finding it, he had again recourse to the bludgeon, and began beating the hand fixed on the upper rail, until, by smashing the fingers, he forced it to relinquish its hold. “What are you doing?” He cried. Don’t think I can’t sympathize and understand.
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