‘Kimble, you shouldn’t be here. You must keep out of the way till it's blown over. To recreate the era, I deliberately tried to avoid creating a thinly disguised bodice ripper where an “empowered” woman mouthed off to prospective suitors in jerkins and tights, in other words, a typical romance novel. "But I can guess what it's for. It's a mighty quare 'un, though. To the practised eye of the waterman matters wore a very different air. Can’t travel alone, a pair of nuns. She’s taken my sword. ’ ‘Is it, now? Well you won’t, then, for he won’t hear nothing, missie. Do you think she does?” Ann Veronica picked among her salad with a judicial expression of face. Then as she drew nearer paint showed upon her face, and a harsh purpose behind the quiet expression of her open countenance, and a sort of unreality in her splendor betrayed itself for which Ann Veronica could not recall the right word—a word, half understood, that lurked and hid in her mind, the word “meretricious.
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